John Szwed’s early (pre 40s) jazz history bibliography (28 pages!).

Partial (growing) list of books and articles relating to European and transatlantic jazz.

Atkins, E. Taylor. Jazz planet. Jackson: University Press of Mississippi, 2003. .

Austerlitz, Paul. Jazz consciousness : music, race, and humanity. Music/culture. Middletown, Conn.: Wesleyan University Press, 2005. .

Dregni, Michael. Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing. Oxford University Press, USA, 2008.

Fay, Jennifer. “”That’s Jazz Made in Germany!”: “Hallo, Fräulein!” and the Limits of Democratic Pedagogy.” Cinema Journal 44, no. 1 (Autumn 2004): 3-24.

Fornäs, Johan. “”Swinging Differences: Reconstructed Identities in the Early Swedish Jazz Age”.” In Jazz planet, 207-224. Jackson: University Press of Mississippi, 2003. .

Gendron, Bernard. Between Montmartre and the Mudd Club : popular music and the avant-garde. Chicago: University of Chicago Press, 2002. .

Harris, Jerome. “”Jazz on the Global Stage”.” In The African diaspora : a musical perspective, 103-134. New York: Garland Pub., 2000.

Heffley, Mike. Northern sun, southern moon : Europe’s reinvention of jazz. New Haven: Yale University Press, 2005. .

Hobsbawm, Eric. The Jazz Scene. Enl Sub. Pantheon, 1993.

Jackson, Jeffrey H. Making jazz French : music and modern life in interwar Paris. American encounters/global interactions. Durham: Duke University Press, 2003.

Jazz & the Germans: Essays on the Influence of “hot” American Idioms on the 20th-Century German Music. Monographs and bibliographies in American music no. 17. Hillsdale, NY: Pendragon Press, 2002.

Jost, Ekkehard. Europas Jazz 1960-1980. Frankfurt am Main: Fischer Taschenbuch Verlag, 1987.

—. Free jazz. New York: Da Capo Press, 1981.

Kater, Michael H. Different drummers : jazz in the culture of Nazi Germany. New York: Oxford University Press, 1992.

Litweiler, John. The freedom principle : jazz after 1958. New York, N.Y.: Da Capo Press, 1990.

Nicholson, Stuart. Is jazz dead? : (or has it moved to a new address). New York: Routledge, 2005.

Nkosi, Lewis. “Jazz in Exile.” Transition, no. 24 (1966): 34-37.

Poiger, Uta G. Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Studies on the history of society and culture 35. Berkeley, Calif: University of California Press, 2000.

Raphael-Hernandez, Heike. Blackening Europe : the African American presence. Crosscurrents in African American history. New York: Routledge, 2004.

Rasula, Jed. “”Jazz as Decal for the European Avant-Garde”.” In Blackening Europe : the African American presence, 13-34. Crosscurrents in African American history. New York: Routledge, 2004.

Shipton, Alyn. A new history of jazz. New York: Continuum, 2007.

Starr, S. Frederick. Red and hot : the fate of jazz in the Soviet Union 1917-1991. New York: Limelight editions, 1994.

Storb, Ilse. Jazz meets the world-the world meets jazz. Populäre Musik und Jazz in der Forschung ; Bd. 4. Münster New Brunswick, U.S.A.: Lit ; Distributed in North America by Transaction Publishers, 2000.

Tucker, Michael. Jan Garbarek: deep song. Hull: EastNote, 1998.

Von Eschen, Penny M. Satchmo blows up the world : jazz ambassadors play the Cold War. Cambridge, Mass.: Harvard University Press, 2004.

Whitehead, Kevin. New Dutch swing. New York: Billboard Books, 2000.

Witkin, Robert W. “Why did Adorno “Hate” Jazz?.” Sociological Theory 18, no. 1 (March 2000): 145-170.

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